Music

Grace Jones

Walking In The Rain

I first heard/saw the song “Walking In The Rain” when the video clip of Grace Jones performing the song was first played on Countdown. I was about seventeen years old at the time and was completely blown away by the clip. In particular, the strong androgynous imagery of Grace Jones echoed by the song line “Feeling like a woman, looking like a man”.

For me, Grace Jones’ version has always been the definitive version, even though it was first performed (and written) by the Australian group, “Flash & The Pan”. But today on the radio, I heard Doc Neeson’s version. I’ve never been a big fan of Doc Neeson and his band. “The Angels”, but this version really stood out. It has a Nick Cave feel about it. Also a later Johnny Cash feel to it. I love the brass, I love Doc’s deliberate style.

So, I thought it would be worth sharing these three versions (that I’m aware of) with you.

1979 – Flash & The Pan

1981 – Grace Jones

2014 – Doc Neeson

Last FM Top Ten

Musical Favourites for 2013 – The Year of Oskar Linnros

As I’ve sat down to look at the most commonly played tracks for the year, I’m kinda surprised it’s the song “Plåster” by Oskar Linnros. Not that I dislike the song, but I kind of imagined there were other songs I’d played more often the year.

That said, I’m using last.fm as my guide, and while it’s pretty good at picking up the music I’ve scrobbled, it’s not an entirely accurate guide to my listening preferences for the year.

That qualifier aside, these were the Top 4 songs I listened to in 2013.

1. Oskar Linnros – Plåster

2. Agnetha Fältskog – Dance Your Pain Away

3. Oskar Linnros – Hur dom än

4. Oskar Linnros – Det är inte synd om dig

For me, the real musical discovery of the year was Jonas Holmberg.

I wrote a blog post about him in August, saying…

After a couple of listens, I bought his two albums of Swedish language versions of jazz and pop classics, and they have been barely off my music player over the last two weeks. I’m listening again tonight. He has a beautifully clear voice and diction (good for improving my Swedish), sings with passion, and is backed by some wonderful instrumentation. Even if you don’t speak Swedish, his two albums are really very, very listenable. I’ve recommended him to my friend Grant (also a Swedophile) who was mightily impressed. From what I can see, Jonas performs semi-regularly around Stockholm, and occasionally has appeared on Swedish television. Hopefully the next time I visit Sweden, he’ll be performing somewhere, as I’d love to hear him perform live, and not only on recordings.

If I’d discovered Jonas before August, I’d guess this would have not been the year of Oskar Linnros after all.

Another great “discovery” this year was Carmen McRae’s version of Sounds Of Silence. Not a new song, or a new version, but I heard it for the first time in an ABC Shop, and it quickly became a firm favourite.

For pure sentimental value, this was another favourite from 2013.

Foto:Cecilia Jansson

Jonas Holmberg

Foto:Cecilia Jansson

Foto:Cecilia Jansson

Just because I have the complete recordings of ABBA in my record collection, it doesn’t mean I stopped listening to new music in 1982. But that’s what online music stores often presume.

I have stored most of my music collection on Google Music, and I’ve also bought a fair few albums via the Play Store. But because there’s a large number of ABBA recordings stored there, it seems like the only recommendations I get are for The Carpenters, Billy Joel and the like. As my tastes in music are much, much broader, it frustrates me the algorythm (or whatever it is) assumes I would only want to purchase similar music.

But of course, I’m not “normal” in that sense. For many people it seems like music is like a haircut: at about the age of eighteen to twenty five they settle on what they like, and stick with it for life. Although genetics have forced me to compromise on the issue of haircuts, I continue to listen to new and varied styles of music. For example, I really like a lot of hip-hop, which separates me from many people my age.

Occasionally, though, the Play Store manages to get it right, and recommends something I really like. Thus, I have a new Swedish musical obsession. His name is Jonas Holmberg. He was one of those “Recommended Artists” in the Play Store, and so I decided, on spec, I would have a listen.

After a couple of listens, I bought his two albums of Swedish language versions of jazz and pop classics, and they have been barely off my music player over the last two weeks. I’m listening again tonight.

He has a beautifully clear voice and diction (good for improving my Swedish), sings with passion, and is backed by some wonderful instrumentation. Even if you don’t speak Swedish, his two albums are really very, very listenable.

I’ve recommended him to my friend Grant (also a Swedophile) who was mightily impressed.

From what I can see, Jonas performs semi-regularly around Stockholm, and occasionally has appeared on Swedish television. Hopefully the next time I visit Sweden, he’ll be performing somewhere, as I’d love to hear him perform live, and not only on recordings.

You can listen to some samples of his work on his website.

My favourite is the track, “Allting börjar om”.